9 edition of Rethinking curating found in the catalog.
Includes bibliographical references and index.
|Statement||Beryl Graham and Sarah Cook.|
|Contributions||Cook, Sarah, 1974-|
|LC Classifications||NX456.5.N49 G73 2010|
|The Physical Object|
|LC Control Number||2009018942|
A book on curating art after new media co-authored by Beryl Graham and Sarah Cook of CRUMB, published by MIT Press. The book is an overview of how the 'behaviours' of new media art differ from those of other contemporary artforms, and what histories, including conceptual art, performance art, participatory art, or video art, might inform curating. Apr 16, · She coauthored with Beryl Graham the book Rethinking Curating: Art After New Media for MIT Press in , is the co-editor of the book Curating New Media (BALTIC, ) and has written articles for [A-N], Public Art Journal, Cream and Mute, and chapters for books including New Media in the White Cube and Beyond () and Beyond the Box ().
Skip to main content. MENU. Browse; Resources. Authors; Librarians; Editors; SocietiesCited by: 1. Rethinking Curating: Art After New Media │ By (author) Beryl Graham, By (author) Sarah Cook, Foreword by Steve Dietz As curator Steve Dietz has observed, new media art is like contemporary art -- but different. New media art involves interactivity, networks, and computation and is often about process rather than objects.
New media artworks are difficult to classify according to the traditional art museum categories determined by medium, geography, and chronology and present the curator with novel challenges involving interpretation, exhibition, and dissemination. This book views these challenges as opportunities to rethink curatorial practice. Sep 20, · First of all I have to note that Rethinking Curating was a surprisingly interesting book to read even for an art layman as myself. It opened my eyes to the difficulties of presenting art in any form and especially new media art, I realized that curating is an art on it’s own. Still I find it quite difficult to review this book based on the fact that I usually encounter art and museums as.
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Rethinking Curating is an invaluable road map to the landscape of contemporary curating and the ways in which the 'behaviors' of new media art have changed institutions, exhibitions, and the roles of curators and audiences.
Outlining the characteristics of new media art and their histories, the book comprehensively explores functions of the. Oct 17, · Rethinking Curating: Art after New Media (Leonardo Book Series) [Beryl Graham, Sarah Cook, Steve Dietz] on akikopavolka.com *FREE* shipping on qualifying offers.
As curator Steve Dietz has observed, new media art is like contemporary art -- but different. New media art involves interactivityCited by: Beryl Graham and Sarah Cook.
Rethinking Rethinking curating book Art After New Media. Rethinking curating book Cambridge, MA, London, England: The MIT Press, by Katerina Gkoutziouli “Rethinking Curating. Art After New Media” by Beryl Graham and Sarah Cook has been a much-awaited book for those working in the field of new media and curating.
Inthe authors launched CRUMB. Rethinking Curating is an invaluable road map to the landscape of contemporary curating and the ways in which the 'behaviors' of new media art have changed institutions, exhibitions, and the roles of curators and audiences.
Outlining the characteristics of new media art and their histories, the book comprehensively explores functions of the curator―as filter, producer, or editor―and the Author: Beryl Graham, Sarah Cook.
Rethinking Curating book. Read reviews from world’s largest community for readers. As curator Steve Dietz has observed, new media art is like contemporar 4/5.
Rethinking Curating offers curators a route through the hype around platforms and autonomous zones by following the lead of current artists' practice. A Leonardo Book Cited By. Olszewska A Senster Proceedings of the Conference on Electronic Visualisation and the Arts, ().
RETHINKING CURATING Download Rethinking Curating ebook PDF or Read Online books in PDF, EPUB, and Mobi Format. Click Download or Read Online button. Rethinking Curating is an invaluable road map to the landscape of contemporary curating and the ways in which the 'behaviors' of new media art have changed institutions, exhibitions, and the roles of curators and audiences.
Outlining the characteristics of new media art and their histories, the book comprehensively explores functions of the curator—as filter, producer, or editor—and the Author: Beryl Graham.
This book is, of course, more than a compilation--more than an oral history of a merry band of pranksters knocking at the gate. It ultimately is a subversive and passionate argument with two prongs: it's not a book about new media, it's about art; it's not a book about curating new.
This book starts from this simple premise: thinking the activity of curating. To do that, it distinguishes between 'curating' and 'the curatorial'.
If 'curating' is a gamut of professional practices for setting up exhibitions, then 'the curatorial' explores what takes place on the stage set up, both intentionally and unintentionally, by the. This book argues that curating can be more than just selecting, organizing, and presenting information in galleries or online.
Curating can also constitute an ethics, one of acquiring, arranging, and distributing an always conjectural knowledge about the world. This is not only a masterful and wholly original rethinking of curating, it is. PDF | On Jun 27,Kjetil Sandvik and others published Beryl Graham & Sarah Cook: Rethinking Curating.
Art after New Media. Cambridge, MA: The MIT Press. | Find, read and cite all the. Rethinking Curating explores the characteristics distinctive to new mediaart, including its immateriality and its questioning of time and space, and relates them to suchcontemporary art forms as video art, conceptual art, socially engaged art, and performance art.
Oct 15, · Sarah Cook is a curator and researcher working at the intersection of art, digital and electronic media, and science. She is the coauthor (with Beryl Graham) of Rethinking Curating: Art After New Media (MIT Press), and in cocurated the touring exhibition, "Database Imaginary."4/5(26).
Get this from a library. Rethinking curating: art after new media. [Beryl Graham; Sarah Cook] -- This work explores the characteristics distinctive to new media art, including its immateriality and its questioning of time and space, and relates them to such contemporary art forms as video art.
Rethinking Institutions: Curating (New) Music This paper will survey several important institutions for contemporary music in Germany, including the Berlin Festspiele’s Märzmusik Festival, the. Book Review: Beryl Graham and Sarah Cook. Rethinking Curating: Art After New Media.
Cambridge, MA, London, England: The MIT Press, Hence much of this book addresses the history of new media providing a critical framework for judging, giving this book a unique role. Rethinking Curating is an issue of MIT Press’ Leonardo series, a think tank for areas of knowledge that are under rapid fire development especially those showing a convergence of disciplines as do new media.
Books shelved as curating: Ways of Curating by Hans Ulrich Obrist, A Brief History of Curating: By Hans Ulrich Obrist by Hans Ulrich Obrist, Artificial H. Note: Citations are based on reference standards. However, formatting rules can vary widely between applications and fields of interest or study.
The specific requirements or preferences of your reviewing publisher, classroom teacher, institution or organization should be applied.
This book was set in Stone Sans and Stone Serif by Graphic Composition, Inc. Printed and bound in the United States of America. Library of Congress Cataloging- in-Publication Data Graham, Beryl.
Rethinking curating: art after new media / Beryl Graham and Sarah Cook ; foreword by Steve Dietz. p. cm. — (Leonardo books).Sep 27, · Want to read all pages of Rethinking Curating Art after New Media Leonardo Book Series Book Quotes just visit this link: akikopavolka.com Rethinking Cu.Rethinking Curating offers curators a route through the hype around platforms and autonomous zones by following the lead of current artists' practice.
About the Author Sarah Cook, a research fellow and cofounder of CRUMB, has curated exhibitions of new media art internationally.